My work sits at the convergence of painting, architecture, and constructed space. Each canvas begins as a study of structure and evolves into layered fields of color and translucency. Overlapping planes, veils, and subtle misalignments create abstract compositions that function as architectural propositions. They are not literal buildings, but spaces framed, concealed, and revealed, evoking the sensation of moving through a plan, reading a façade, or observing a landscape from above.
Within each canvas, the surface becomes a site of excavation. Layers are added and removed, allowing traces of the work’s history to remain visible, forming a kind of palimpsest. This process mirrors the way cities, structures, and memories accumulate over time. The resulting environments are quiet yet complex fields, portals, gardens, and scaffolds.